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Shooting for Yourself Even As You Go Pro

May 11, 2025  •  1 Comment

So, you’ve started booking gigs. You're getting paid to shoot. Maybe you’re balancing a 9-to-5 job during the week and hustling on weekends with portraits, weddings, or content shoots. You’re on the edge of making that big leap into full-time photography—or at least thinking about it.

And here’s something no one tells you: once photography becomes a business, it’s really easy to stop shooting for yourself.

But that’s exactly when you need it the most.

Don’t Let the Hustle Kill the Spark

When your side hustle starts picking up steam, the focus shifts to deadlines, deliverables, and keeping clients happy. And while that’s exciting (and necessary), it can drain the joy that got you started in the first place. Suddenly every shoot is for someone else. Every edit has a purpose. Every photo has a price.

But the truth is—if you want to grow, evolve, and actually enjoy the ride—you’ve got to make time to shoot just for you.

Personal Work Builds the Portfolio You Want

Here’s the trap many new professionals fall into: they build a portfolio full of the kind of work they happened to get hired for—not the kind of work they want to get hired for.

Want to shoot high-end portraits instead of basic headshots? Dreaming of fashion, travel, or editorial work? Then you need to create that kind of work on your own time. Personal projects are where you experiment, build skills, and create the images that attract your ideal clients—not just the next ones.

Creativity Needs Practice—Not Permission

You don’t need a client’s approval to try a new lighting technique, test a new lens, or explore a visual idea. And honestly? Some of your best creative breakthroughs will come when you’re just messing around with no one watching.

Shooting for yourself keeps you sharp. It helps you stay inspired. And it builds confidence in your own creative voice—something that’s crucial as you make the transition to full-time work.

Your Growth Happens Outside the Paycheck

The path from side hustle to full-time photography isn’t just about booking more gigs—it’s about becoming a better photographer.

And that doesn’t happen by doing the same safe shots over and over again. It happens when you challenge yourself, try weird stuff, and sometimes fail. That’s where the real growth is—and it’s why personal work is just as important as paid work.

Final Thoughts

Being “professional” doesn’t mean every shoot needs to pay. It means you take your craft seriously—and that includes shooting for yourself, growing your skills, and pushing your creativity forward.

So don’t wait for a client. Plan a weekend creative shoot. Test a new idea. Go make something just because it excites you.

Because at the end of the day, that’s what got you into this—and it’s what will carry you through.

 

A mix of photos I shot this past two months for ME



 

 


Comments

Marina Amodeo(non-registered)
Love this, JC. I have all these ideas of different types of photos I want to creat but it’s “outside” of what I usually creat (sports and sport portraits). Currently, I feel pulled to go with the shoots that are paying me and I’m ignoring what my creativity is screaming for me to do.
Your blog was a nice reminder to make time for myself and experiment, and not be afraid to screw things up.
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